…When the weather’s nice, my parents go out quite frequently and stick a bunch of flowers on old Allie’s grave. I went with them a couple of times, but I cut it out. In the first place, I certainly don’t enjoy seeing him in that crazy cemetery. Surrounded by dead guys and tombstones and all. It wasn’t too bad when the sun was out, but twice–twice–we were there when it started to rain. It was awful. It rained on his lousy tombstone, and it rained on the grass on his stomach. It rained all over the place. All the visitors that were visiting the cemetery started running like hell over to their cars. That’s what nearly drove me crazy. All the visitors could get in their cars and turn on their radios and all
and then go someplace nice for dinner–everybody except Allie. I couldn’t stand it. I know it’s only his body and all that’s in the cemetery, and his soul’s in Heaven and all that crap, but I couldn’t stand it anyway. I just wish he wasn’t there. You didn’t know him. If you’d known him, you’d know what I mean. It’s not too bad when the sun’s out, but the sun only comes out when it feels like coming out.
—Catcher in the rye
“It’s everybody, I mean. Everything everybody does is so – I don’t know – not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and – sad-making. And the worst part is, if you go bohemian or something crazy like that, you’re conforming just as much only in a different way.”
“I’m just interested in finding out what the hell goes. I mean do you have to be a goddam bohemian type, or dead, for Chrissake, to be a real poet? What do you want – some bastard with wavy hair?”
—Frannie and Zooey
…But I’m crazy. I swear to God I am. About halfway to the bathroom, I sort of started pretending I had a bullet in my guts. Old ‘Maurice had plugged me. Now I was on the way to the bathroom to get a good shot of bourbon or something to steady my nerves and help me really go into action. I pictured myself coming out of the goddam bathroom, dressed and
all, with my automatic in my pocket, and staggering around a little bit. Then I’d walk downstairs, instead of using the elevator. I’d hold onto the banister and all, with this blood trickling out of the side of my mouth a little at a time. What I’d do, I’d walk down a few floors–holding onto my guts, blood leaking all over the place– and then I’d ring the elevator
bell. As soon as old Maurice opened the doors, he’d see me with the automatic in my hand and he’d start screaming at me, in this very high-pitched, yellow-belly voice, to leave him alone. But I’d plug him anyway. Six shots right through his fat hairy belly. Then I’d throw my automatic down the elevator shaft–after I’d wiped off all the finger prints and all. Then I’d crawl back to my room and call up Jane and have her come over and bandage up my guts. I pictured her holding a cigarette for me to smoke while I was bleeding and all.
The goddam movies. They can ruin you. I’m not kidding…
—Catcher in the rye