The Lunchbox

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What is that makes The Lunchbox special? The restrain; the control over the medium. There are no characters here retching out their deepest emotions in a verbal diarrhoea. The background score doesn’t hit you with a hammer in case you miss what is happening on screen. The actors don’t go into convulsions trying to act. Every scene has a certain effortless charm. Indeed this is a director’s film.

In terms of the basic premise, the movie reminded me of the National award winning Malayalam film ‘Mathilukal’ (The Walls) by Adoor Gopalakrishnan. Instead of a lunchbox, the story device there is a prison wall separating male and female sections. And we never see the female character.

The Lunchbox is perfect except for its last 10 minutes. I personally feel that the movie should have ended with that beautiful voiceover in the coffee shop. After that, it appeared that the writer director is trying hard to be unpredictable (or ‘artsy’ if that is what you would like to call it). But sometimes predictability is better than clumsiness.

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